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Pro Tools has by far the biggest feature set. On the other hand, features aren’t the only tool in the box, and neither are plugins. Overall, I think Pro Tools is flexible enough to get you well into your workflow, while still being powerful enough to handle larger projects. The combination of high-fidelity audio, powerful tools, and a high-end interface is amazing, and anyone working with music needs it in their toolbox. Avid also had a monster feature set in version 3, and you can see some improvements here. One thing that hasn’t changed, though, is their plugin selection is the best in the business.

That’s really what the Avid name is all about. I’m always looking for ways to improve the usability and productivity of my workflow, and the latest version of Pro Tools has a lot to offer. (If you think I haven’t touched the “plug-ins” department, you’re right.) Even if you’re using the free, Lite version of Pro Tools, it’s a worthwhile investment. For even more info, be sure to check out the video demos here.

The free Pro Tools First release is a bit like the original Pro Tools LT back in the early 2000s. It supports 64 audio tracks at a maximum of 16 simultaneous tracks. It also only handles playback and recording, without editing or MIDI integration, and only includes 32 plug-ins in total. This version of Pro Tools is best for complete beginners, but you’ll need to upgrade to more power when ready or to use the up-and-comer version.

The software lives on in a handful of services and bundles, and it can be mixed with the tool itself to make it more suitable for certain uses. Pro Tools for Online, which I personally love, has the ability to track on-the-go so users can edit on the go and then share it online without worrying about corrupting their existing project files. There are also apps for mobile devices that make it easier than ever to navigate the Pro Tools interface, create sessions, and record audio. Avid is making these available for iOS, Android, and Windows Mobile, so it’s never been easier to record in the field.

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Now it’s easy to view LTC information and visually judge levels for a smooth listening experience. Don’t lose tracks due to a slow hard drive, or easily find and repair corrupted files. Avid Insight Detection helps you find and repair file corruption caused by bad sectors. All while the new SmartFile™ technology keeps everything clean. And now, you can easily preview and share files on your preferred social network, including Facebook, Flickr, Instagram, YouTube, Vimeo, and even Twitter.

Advance your workflow with Avid Xpress™ Pro, a powerful, compact, professional version of Pro Tools that can work with everything from USB and Thunderbolt to FireWire and Ethernet. Plus, Avid is giving you access to the entire Pro Tools ecosystem of updates and tools for free. Get support with free updates, and easily keep your most-used plugins up to date with Pro Tools Live 3.25— shop for a dedicated Avid edition .

To address ease-of-use for users of existing versions of Pro Tools, the following new tools have been added to the Panel, Toolbar, and Keyboard

• “Send to track” button in Windows Panel
• Ease of navigation and task management with new Slide Speed option in Control Bar
• Rename tracks in Track List view
• Support for Drag and drop of program files from Finder and Explorer for track balancing

Pro Tools Lite is now completely free. Pro Tools Lite is a streamlined, lightweight version of Pro Tools that contains the essential features of the industry standard Professional program. This update will NOT affect the current trial or upgrade prices and there is NO additional cost to upgrade to Pro Tools Lite. Pro Tools Lite is delivered using the free Adobe Player DRM viewer. Visit www.adobe.com/go/protoolslite to claim your free download of Pro Tools Lite.

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When Apple’s Logic Studio was first released for Mac, I wanted to know what it was. Since then, Logic has improved in leaps and bounds, while building on what the pre-Mac Pro edition of Pro Tools LE offered. Logic Pro 12 does everything that Pro Tools does, in the same exact way, although how you set up or route tracks is a bit different. It’s best for at least moderate-size studios, and its selection of instruments and modules is good, but the price is on the high side for most folks. On the cost side, it comes without the volume of software available in Pro Tools; there are no plug-ins, only tools, which make it harder to set up plug-ins and create your own functions. If you’re trying to figure out whether Logic is right for you, start with the free version and try out the key features.

The first thing I noticed about Avid Pro Tools Key was how it’s incredibly smooth. In addition to offering a series of virtual instrument (VST) plug-ins or synth plug-ins that you can use standalone, Pro Tools lets you use third-party plug-ins that are designed to work in conjunction with Pro Tools, including Apple’s own Waves and Audiobus.

Pro Tools tracks can be arranged into two primary views, each with its own section dedicated to automation, MIDI controllers, or effects control. The first is the Project, which groups a number of tracks into a single virtual instrument or instrument, or even a single audio track. The second is the Timeline, which is where you organize clips and build your performance. In Pro Tools, you can also insert a secondary track simply by dragging it into the mix window. It’s all very quick and easy.

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• Improved noise reduction on most monitors
• 3D spacial audio improvements
• Tones & Effects that improve on DAWs standard options
• Inspector and formatter improvements
• Behavioral tagging with Visualization
• UI improvements
• Support for dynamic Linking (Pro Tools 2017+)
• Support for newer 4K displays
• Many fixes and improvements

• Improvements to the automation and settings for side-chain processing for mixing, effects processing and recording
• Removal of audio rendering lag between the side-chain and the affected track when processing time-based effects such as compression or EQ
• The Side-Chain Input setting is available for manual processing in the Advanced Control Window
• Improvements to signal detection and automatic processing in the Side-Chain section
• New filters and compressor effects added to the Side-Chain section of the Advanced Control window
• Improved presets and automation for side-chain processing are now available for inclusion in ReWire AudioSuite

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